Bleeding Skull Bleeding Skull
Bleeding Skull Bleeding Skull
A continuing exploration of the curious and obscure in vintage cinema.
A continuing exploration of the curious and obscure in vintage cinema.

SUPERSTITION (1982)
aka THE WITCH

Directed by James W. Roberson
Lightning Video VHS

THE FILM
Sometimes, I want to forget it all. I want to lie on a riverbank populated by girls in tube tops. I want the cool breeze of a spring prairie to engulf my nostrils. I want a priest sawed in half. It's not too much to ask. Superstition knows what I mean.

Throw up your hands and scream; this is 1982. Just like Friday The 13th Part 3, Superstition grabs the comfort horror baton, fills it with the juiciest of early 80s elements (extreme violence, wooded locales, nylon jogging shorts), and rarely drops the ball. The brass heavy soundtrack might drive you nuts and the script is slightly unglued, but so what? There's still that wood-paneled station wagon, filled with coiffed-hair girls and lines like "Shut your bitchy mouth!" Still not sold? Buddy from Just One Of The Guys (Billy Jacoby) appears in an early role. What more do you need?

Blame the congregation! A church has inherited a spot of land next to Black Pond, which includes a towering mansion and a caretaker named Elvira. Is the mansion haunted? After a flurry of super violent kill scenes via unseen forces, it would appear so. Elvira thinks it all leads back to 1692, when a satanic witch was drowned by the church's ancestors in Black Pond. Good theory. When a dysfunctional family moves into the mansion (cue that station wagon), it's up to a young priest, his oversized cross, and a teed off cop to slap the shit out of Satan and make it out alive. Elvira points out, "You may have doomed us all, church man." Again, good theory.

Fast paced, befittingly photographed, and filled with surprising scares, Superstition is a sober obscurity that doesn't let you down. Unique in both its storyline and willingness to please, the film fights for a bleak, creepy aura and gets it. Granted, that feeling isn't without baggage (dragging flashback scenes, erratic character development), but that's no problem. The difference with Superstition is that it never dwells on its own minor setbacks. The film flashes by, finishing up with the same harsh attitude that kicked it all off. I wish church was like this when I was a kid.

AUDIO AND VIDEO
The bad: grain, softness, pitch black basement exploring, and horizontal video fuzz. The good: pitch-shifted Satan voice in thrilling mono. I'd call it a decent balance.

EXTRAS
Lightning strikes twice. The Lightning Video logo animation cracks your ass before and after the feature. No trailers though.

FINAL THOUGHTS
Take a deep breath and smell the breeze. Superstition gets you in the mood for early 80s love and keeps it sizzling 'til the downbeat climax. Keep an eye out for this one.

— Joseph A. Ziemba, 04.20.06






Microwave massacre


Where's the beach?


Stand by the cross


Glad all over