THE
ASTOUNDING SHE-MONSTER (1958)
Directed by Ronnie Ashcroft
Image Entertainment DVD
Reviewed 02.27.04 Review by Joseph A. Ziemba
THE FILM
In reality, I know that Hollywood
in the 50s was a lot different than
my romantic imaginings. It wasn’t
all serene drives through Beverly
Hills, sunny walks down Sunset,
and tough talking gangsters on Yucca
Street. Fortunately, when I watch
films like The Astounding
She-Monster, I like to think
that it was.
I mean, was Hollywood really a place
where you could gather a few thousand
bucks, hire some friends, drive
out to Bronson Canyon, and shoot
a monster movie in a few days? Was
the dream of shooting and releasing
your own film that easy to attain?
Apparently, if you were Ronnie Ashcroft,
Coleman Francis, or Ed Wood, it
was. And that’s the wonderful
thing about no-budget horror films
from this era. Seen in today’s
context, these films achieve in
projecting this glorious Hollywood
nether-world, complete with ridiculous
dialogue, shady gangsters, bad special
effects, cheap sets, and loads and
loads of beautiful California scenery.
So sit back, throw your standards
out the window, and chew the fat
with Kenne Duncan...
A wealthy Hollywood socialite is
kidnapped from her convertible in
broad daylight. At the same time,
a burst of light crashes on earth
and unleashes the laughable She-Monster.
The monster is a voluptuous woman
wearing a body suit and crazy fake
eyebrows. The two tough guy kidnappers
(one of which is Ed Wood stock player
Kenne Duncan, a dead ringer for
a skinny Moe Howard) and their drunk
girlfriend swerve off the road to
avoid hitting the monster. They
take refuge in a log cabin owned
by a geologist, played by Robert
Clarke (The Hideous Sun-Demon).
The rest of the film’s 62
minute runtime deals with the She-Monster
attacking, the characters walking
around outside, and lots of drinking,
fighting, and arguing.
What can I say? This film is at
all times magical, inept, and hilarious.
Every misplaced music cue, every
minute of Criswell-esque narration,
every stilted word that emits from
Kenne Duncan’s mouth all add
up to a bad 50s classic. If Hollywood
was never this good, that’s
just fine, because I’ve got
The Astounding She-Monster to set the record straight.
AUDIO AND VIDEO
The print appearing here is very
rough, which is a little disappointing
given Image’s track record
with these releases. At times, the
print is a mess -- numerous scratches,
lines, and jumps throughout. Contrast
is very low as well. Given the origins
of the film, this doesn’t
bother me much, but might be distracting
if it’s something that concerns
you. The mono audio is a bit muffled
and scratchy.
EXTRAS
The extras are pretty sparse --
a trailer that’s in really
bad shape, trailers for several
other Image titles, and fascinating
liner notes by Tom Weaver. The liner
notes go into amazing detail regarding
the making of this film -- where
do they find this stuff?!
FINAL THOUGHTS
If you like to lose yourself in
the upside down world of ultra-cheap
Hollywood horror films from the
50s, you can’t do much better
than this. File along with Beast
Of Yucca Flats and Night
Of The Ghouls as a true no-budget,
backyard classic. |


Hollywood never looked so good
Kenne "Trick Shot" Duncan
Captives!
The astounding one
|