Bleeding Skull Bleeding Skull
Bleeding Skull Bleeding Skull
A continuing exploration of the curious and obscure in vintage cinema.
A continuing exploration of the curious and obscure in vintage cinema.

SATAN'S BABY DOLL (1982)
aka LA BIMBA DI SATANA

Directed by Mario Bianchi
Severin Films DVD

THE FILM
Love conquers all. This includes nun-masturbation, but not killer parties. Just FYI.

Somewhere in Italy, there was an abandoned castle. As any articulate trash filmmaker knows, an optimum location cannot sit uncultivated. Hence, longtime exploitive/porno director Mario Bianchi set out to cultivate this vociferous chateau in the form of Satan's Baby Doll, his first foray into horror. Only, there was no script. And money was scarce. Solution? Party all the time. Just like that Eddie Murphy song. Except naked.

Satan's Baby Doll adheres to nothing, save for a commitment to polished sleaze. The loose plot, in which a dead woman possesses the body of her daughter to kill people and profess unconditional love for a nun, might as well be imaginary. For, within the walls of Bianchi's Castle, that commitment was made to be kept. Satan's Baby Doll therefore reveals its greatest strengths: Naked women touching themselves (and each other), ethereal locations, and a striking soundtrack which sounds like Argent twinkling the Moogs while The Strange Vice Of Mrs. Wardh unspools in the background. Of course, we also have mummies, a bit of blood, wheelchair insults ("You dirty parapalegic!"), surprising full frontal nudity, heroin-eating, and a helluva lot of talk. But is it enough to captivate you for 75 minutes? Um.

With all the zooms, echoplex effects, and off-the-cuff class, Satan's Baby Doll feels like a five minute collaboration between Jess Franco and José Mojica Marins on their most plaintive of days. Yes, the party is on. The women are sexy. The castle is fresh.

But really, what good is a party if nobody shows up?

AUDIO AND VIDEO
The hi-fi is in working order. Presented in 1.66:1 anamorphic widescreen, Satan's Baby Doll couldn't look better. The print is in great shape, the grain is thick 'n' sweet, and colors are huge. The Italian-dubbed mono soundtrack was a little tinny, but I don't pay much attention to things like that. Also, no typos were found amongst the optional English subtitles.

EXTRAS
Director Mario Bianchi talks for eighteen minutes and a theatrical trailer plays for two and a half minutes. Cools.

FINAL THOUGHTS
Where's the love? Satan's Baby Doll is a flimsy sex-horror film that offers stimulation for the eyes, but none for the heart. It's pretty empty. Yet, I had no problem watching it. I also had no problem checking my watch every ten minutes. Your choice.

— Joseph A. Ziemba, 03.27.08






Fun-loving nun


Looking good, feeling good


Oh, Mumma


We have always lived in the castle