Bleeding Skull Bleeding Skull
Bleeding Skull Bleeding Skull
A continuing exploration of the curious and obscure in vintage cinema.
A continuing exploration of the curious and obscure in vintage cinema.

JACK THE RIPPER GOES WEST (1974)
aka A KNIFE FOR THE LADIES
(part of BLOOD BATH 2: 4 MOVIE PACK)

Directed by Larry G. Spangler
Brentwood DVD

THE FILM
Jack The Ripper Goes West...and he shoulda stayed there. Oy!

Hour-long vintage trash films. Life just doesn't get much better than that, eh? From Invitation To Hell to Satan's Black Wedding to Monstrosity, these digest-sized squirts get in, get out, and shed no tears for those with patience. Satisfaction is pretty much guaranteed and afterwards, the night is still young. After making it through 51 minutes of Western vexation with Mr. Jack T. Ripper, I need a cane and a tin of dried prunes. Dear god, where did the years go?

Jack The Ripper Goes West, an acutely obscure slasher-western from the vaults of 1970s distro-kings Bryanston Productions, is a sensational clump of botched potential. Shot in Old Tucson, Arizona, it's like watching an episode of McCloud with a little blood, one boob, and a lovely nose-hair clipping scene. Basically, a guy wearing Beatles Boots is stabbing prostitutes in a small town. The sweat-stained Sheriff (Jack Elam, Creature From Black Lake) can't handle the job, so Detective Burns is called in. Although it's the age of covered wagons, Burns shows up with a perm and trenchcoat. There are pointless establishing shots, endless talk about things we don't care about (mostly Syphilis), and the Mom from The Baby shows up. There's also a bombastic theme song ("Evil Lady") from ex-Monkees contributor Bobby Hart. Davy Jones is probably kicking himself for sleeping through that session.

The cranky saloon owner, drywall sets, and curiously terrible post-edits were things of beauty. The stalk 'n' stab scenes were pretty fun too. But it's no use. With a little more weirdo sleaze, Jack The Ripper Goes West could've been a mindless delight. The concept was there. Instead, we get a mundane jog through the utmost minimum in horror and western clichés, but without any loony distinction. If the talk doesn't kill you, the horn section will. Double oy!

AUDIO AND VIDEO
Jack The Ripper Goes West has never been released on home video in North America, so I'll take what I can get. According to Brentwood, the film first hit theaters as A Knife For The Ladies, but was lost forever after, aside from a rare Scandinavian VHS release. They're not sure if the version they licensed is cut, or if it is, to what extent. Regardless, the print is culled from an obvious video master, with a few tape rolls, a fake freeze frame title card, and a low buzz that runs throughout. Compression artifacting wasn't that evident, but frequent slicing edits sure were. I liked it just fine. The sound was presented in your choice of Stereo (sounded fine) or a Dolby 5.1 mix (sounded the same, but a little louder).

EXTRAS
The 4-film strong "Blood Bath 2" is Brentwood's most enjoyable budget pack yet. Two flipper discs hold this treasure trove of ultra-obscurities, all of which were licensed from Bryanston. Aside from the Jack-attack, there's Legacy Of Satan (extremely cheap 1976 horror from Gerard "Deep Throat" Damiano), The Bride aka The House That Cried Murder (debut from John "Nightmare At Shadow Woods" Grissmer), and Blood Song aka Dream Slayer (Frankie Avalon slasher that looks a million times better than my ruddy HQV VHS). A pleasant surprise overall, so let's hope there are more sets like this one on the way.

FINAL THOUGHTS
If you're curious, give Jack The Ripper Goes West exactly one watch and forget about it. That said, you'll want to pick up "Blood Bath 2" anyway, just to grab the other films in the set. They're worth the $7-10. Trust me.

— Joseph A. Ziemba, 06.29.06






Watchin' your every move


Anti-Syphilis


The go team


Old West slice