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A continuing exploration of the curious and obscure in vintage cinema.
A continuing exploration of the curious and obscure in vintage cinema.

THE HOUSE THAT CRIED MURDER (1973)
aka THE BRIDE
(part of BLOOD BATH 2: 4 MOVIE PACK)

Directed by Jean-Marie Pélissié
Brentwood/BCI DVD

THE FILM
Behold the house that Barbara built. Perhaps, the services of a licensed contractor would've helped.

If you want something done right, do it yourself. Isn't that always the case? Barbara thought so. She huffs. She puffs. She gets her way. Unfortunately, all of that brash exertion spells trouble for a pressboard foundation. A somber rarity from the team of writer-director Jean-Marie Pélissié (never directed another film) and writer-producer John Grissmer (Blood Rage!), The House That Cried Murder (here titled The Bride) takes pride in DIY ethics. The film swaps 70s trade secrets with Let's Scare Jessica To Death; it's entirely unique, filled with surprises, and relies on mysterious affairs. Then, we visit a street fair for ten minutes while perpetual "ba-ba-bas" cheese the soundtrack. Is that a crack above the staircase?

Barbara (soap star Robin Strasser) is a rich, unbalanced brat with an endless supply of funds from Daddy. Babs sez, "Daddy, I want to build my own house!" She gets it. Babs sez, "Daddy, I want to marry David, from your Firm!" Daddy sez, "There's something about David...HE STINKS!" Does he ever. At the wedding reception, David gets down to business with an ex-flame named Ellen. Barbara walks in. Scissors. Blood. The Don Murray Orchestra is interrupted. Barbara freaks out and drives off. As for David and Ellen? Revenge will not be sweet. Nor will the fried chicken.

Gradually immersive photography. Moments of genuine madness. A climax which defines odd, low budget perfection. The House That Cried Murder is built with determined dignity, but lacks concrete stability. A series of ill-timed bummers oozes between the good stuff. Inopportune padding at the fair, the lake, and the house slag the film's tempo and misalign the delirious rhythm. Bouts of laughable emotion (Ellen, you blew it!) taint an otherwise ideal group of performances. The sudden violence and nice scares are well presented, but play it too safe. Still, settling isn't always a bad thing. Just a little inconvenient.

The house that Barbara built doesn't fall down completely...it just sways a little.

AUDIO AND VIDEO
Plaster falls. Obviously sourced from a video master, House doesn't look so hot. Fuzzy, scratchy, overly dark, and riddled with vid-blips and jump cuts, this full frame print is no June bride. That said, the film has never seen a legit home video release in North America, so I'll take what I can get.

EXTRAS
The 4-film strong "Blood Bath 2" is Brentwood's most enjoyable budget pack to date. Two flipper discs hold this treasure trove of ultra-obscurities, all of which were licensed from 1970s distributor Bryanston. Aside from The House That Cried Murder, there's Jack The Ripper Goes West (exhausting western-horror botch), Legacy Of Satan (incredibly cheap, de-humpified trash excellence from Gerard "Deep Throat" Damiano), and Blood Song aka Dream Slayer (Frankie Avalon slasher that looks a million times better than my ruddy HQV VHS). More Bryanston rarities, please.

FINAL THOUGHTS
A true fixer-upper. The House That Cried Murder has its share of tough splits, but you're pretty handy, right? I thought so. The film deserves a look from lovers of 1970s obscurities, despite a few setbacks. If the "Blood Bath 2" set isn't on your shelf yet, I give up. Now go dig out the Prism Blood Rage tape and watch it again.

— Joseph A. Ziemba, 04.05.07






Barbara Van Poutsalot


Uh-oh


Wedding of the year


Somber clucks