FLIP:
A SHORT FILM (2004)
Directed by Kirk Demarais
Spooklight Productions DVD
Buy
It From Spooklight Productions
Reviewed 07.28.04 Review by Joseph A. Ziemba
THE FILM
There are slices of great filmic
happiness in life; certain moments
when everything else shuts off and
you find yourself swept under the
broom of creative bliss. What’s
most exciting about this all-too-rare
feeling, you ask? The fact that
it can hit you while viewing a brand
new film that defies any “normal”
means of conception, while at the
same time recalling the basest powers
of vintage cinema: heart and magic.
Meet Flip. He’s a little kid
from the late 60s, pleasantly monster-obsessed
and filled to the pop-culture rafters
with the coolest house and room
you’ve ever seen. Flip receives
a belated birthday card from his
grandma, topped off with a dollar
bill and a few words to the wise
-- “Spend it wisely!”
Dollar in hand, Flip rips through
his dog-eared copy of “The
Haunted Casino” comic book,
googly-eyeing the 99-cent huckster
ads -- U-Control Monster! Phony
Cast! Hypnotism at your fingertips!
Amidst humorous daydreams interpreting
the powers that such novelties could
bring, Flip fends off neighborhood
bullies and sleep with a good dose
of late night creature features
on the tube. Flip soon makes a decision
regarding his lucky bill...but like
nearly every toy, book, or movie
you obsessed over as a kid, the
actual item in question turns out
to be less-than-stellar. But that’s
ok, ‘cause who could have
conceived the powers of Ebay in
the late 60s?
Running 15 minutes and produced
independently by four guys from
Arkansas with dreams of making a
movie, Flip: A Short Film is a simplistic nostalgia-nod to
adults who grew up with Robot
Monster and Lee & Ditko’s
version of Spider-Man.
Simplistic is a tricky word though.
This film is packed with an incredible
attention to detail, especially
for filmmakers that had, well...never
made a film before. So within this
(somewhat) simple plot, lies mouth
watering 60s prop visuals, an excellent
sense of visual design, and a level
of story-telling sophistication
that completely belies the film’s
budget and expertise. While there
were moments that revealed the limitations
of those very things (background
noise, an instance or two of noticeable
lack of acting chops), Flip holds its own as successful proof
to the minds of determined individuals
the world over.
As Flip tuned in to a fantastic
movie-within-a-movie called Revenge
Of The Robot Beast, I found
myself smiling. Ten minutes later
it was all over and I was still
smiling. This is fifteen minutes
of fully realized movie enchantment,
regardless of the budget or experience
of those involved. Now if you’ll
excuse me, I’ve gotta go wind
up my Coffin Bank...
AUDIO AND VIDEO
Shot with a Canon XL-1 and edited
in Final Cut, Flip appears in surprisingly nice anamorphic
widescreen. The picture is smooth
and totally free of compression.
For such a low budget project, there’s
a very strong sense of production
value, mostly thanks to the brilliant
set design and smart camera set-ups.
The score was comprised of public
domain exotica (none of which I
recognized) and dialogue was very
minimal.
EXTRAS
As a perfect compliment to the feature,
the supplements are top notch and
plentiful. Starting off, there’s
a 28 minute making-of documentary,
containing interviews with all involved,
as well as behind the scenes video
footage of outtakes, near disasters,
and a giant “Flip” float
that drives around during an unexplained
Xmas parade. Great watch.
Next up are a series of brief, but
excellent, shorts. We have the two
original Flash web cartoons from
director Kirk Demarais, which sparked
the idea for a live action feature.
Both ‘toons are just as enjoyable
as the feature, with “Phantasmagoria”
sparking nostalgic pings for spookhouse
rides that scared me as a kid. “Revenge
Of The Robot Beast” is a two
minute trailer for the movie Flip
watches on TV, a bad 50s schlock
homage and just the kind of thing
I like, fake film scratches and
all. It also features a lot of footage
that doesn’t appear in the
film. Rounding out the shorts is
a storyboard to film comparison
gallery, a gigantic gallery of props,
sets, and behind the scenes photos,
and a nifty “Comic Book Ads
Vs. Reality Gallery.” Did
those x-ray glasses really work?
Totally.
And then we have the commentary
tracks. Wisely, the commentaries
are split up into five separate
tracks, which eliminates confusion
and surprisingly contains very little
overlap. Included are individual
commentary tracks from director
Demarais, actor Landon Knowlton,
cinematographer Scott Clayburg,
production designer Todd Knowlton,
and executive producer Scott Alan
Clayburg. Each track is thorough,
enjoyable, and made me appreciate
the accomplishment of the film even
more.
FINAL THOUGHTS
Flip is a special
little film. Obviously, it will
mostly appeal to people that can
connect with the subject matter,
but beyond that, the visual flair
and genuine heart is undeniable.
Not to mention the stunning DVD
presentation. Don’t procrastinate. |


"Haunted Casino" gets
read
Mythic five and dimer
Late night schlock
U-Control!
|