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Vulcan Video, Austin TX: part 2
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Adult Version of Jekyll & Hide, The (1972)
The human personality has two sides. One of them has boobs.
What more do you need?
Another Son Of Sam (1977)
That's what I call potent filmmaking.
Asylum Of Satan (1971)/Satan’s Children (1974)
I need a drink.
Atomic Brain, The (1964)/Love After Death (1968)/Incredible Petrified World (1958)
It's a no-brainer.
Ax ‘Em (1992)
Your momma's so fat.
Even the tambourines are forlorn.
Basement, The (1989)
Just an observation.
Bat Whispers, The (1930)
I wanted to live in the world of this movie.
Beast That Killed Women, The (1965)/Monster Of Camp Sunshine, The (1964)
Beautiful, The Bloody, And The Bare, The (1964)/Behind Locked Doors (1968)
Pork it out.
Beaver Trilogy, The (1979-84)
"I'm the Beaver Rich Little."
Beyond The Door (1974)
Kids do some odd things.
Black Cat, The (1965)/Fat Black Pussycat, The (1963)
Attacked by a sex fiend.
Black Christmas (1974)
This one's for us.
Blood And Lace (1971)
I think I'm in the right place.
Blood Drinkers, The (1966)
90 minutes of duotone dreamz.
Blood Freak (1972)
The road to knowledge is a beautiful one.
Blood Of The Vampires (1971)
Blood Of The Virgins (1967)
It works great when you're not really paying attention.
Blood Of The Zombie (1961)
For those with romantic tastes.
Blood Orgy Of The She-Devils (1972)
I wasn’t ready for salvation.
Bloody Birthday (1981)
I'll watch it half-a-dozen more.
Bloody New Year (1987)
Happy New Year....in July!
The magic of Wisconsin knows no limits.
There's a great bit about vibrators.
Bucket Of Blood, A (1959)
I don't get beatniks.
Butcher, The (1990)
Making dreams come true.
Capture Of Bigfoot, The (1979)
Bigfoot throws a snowmobile!
Carnival Of Blood (1970)
I'm pretty sure Coney Island doesn't look like this anymore.
Cat And The Canary, The (1927)
I've backed in when I should be heading out.
Cemetery Of Terror (1985)/Grave Robbers (1989)
Such are the perils of love and war.
Art. Politics. Mahon.
Child, The (1972)
Cindy And Donna (1970)
A softcore civil war.
Corpse Grinders, The (1971)
Ted V. Mikels does not fool around.
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